Reflection of Women Struggle Through the Main Chacter in Olivia Newman’s Where the Crawdads Sing (2022)
DOI:
https://doi.org/10.24256/ideas.v13i1.6255Keywords:
Feminism, Main Charcter, Reflection, Women Struggle, Where The Carwdad Sing (2022)Abstract
This study aims to analyze how Kya's character reflects the struggle of women in the context of feminism in Where the Crawdads Sing (2022). This is done to find out whether there are elements of feminism in Kya Clark's character in Where The Crawdads Sing (2022). The method used is qualitative research. In this study, researchers used feminist analysis to examine the characters in the movie and also examined transcripts integrated with Simone de Beauvoir's feminism. The main data source in this study is the character development of Kya from the main character in the movie Where The Crawdads Sing (2022). The data collection technique used is documentation in the movie Where The Crawdads Sing (2022) which highlights Kya's character that contains elements of feminism, interpreting the results of data collection and conclusions. The data analysis technique of this research uses feminist analysis by observing, identifying characters, and concluding. The results of this study state that Kya's character reflects the struggle of women in the context of feminism in the film Where The Crawdads Sing (2022) has five stages of how Kya reflects the struggle of women which include such as independence, freedom, social stigma, discrimination, harassment and oppression.
References
Amini Naisa, B., & Muryantini, S. (2023). Paradigma: Jurnal Masalah Sosial, Politik, Dan Kebijakan. 27(2). Https://Doi.Org/10.31315/238
ANALISIS SEMIOTIKA REPRESENTASI FEMINISME DALAM FILM MULAN 2020 SKRIPSI. (N.D.).
Ayu Prita Dara Swari Pidada, I., Dewa Ayu Sugiarica Joni, I., & Devia Pradipta, A. (N.D.). Representasi Feminisme Dalam Film Perempuan Tanah Jahanam.
Catherine Marshall Gretchen B. Rossman, Designing_Qualitative_Research (1999).
Diane, N. (2008). What A Girl Wants? Fantasizing the Reclamation of Self in Postfeminism.
Dizza, D., Aryani, M., & Pramiyanti, A. (2023). Peran Komnas Perempuan Dalam Gerakan #Metoo Di Indonesia. In Desember (Vol. 10, Issue 6).
Ehrlich, D. (2022, July 12). Where The Crawdads Sing’ Review: The Literary Sensation Becomes A Glossy Summer Popcorn Movie. Indiewire.
Ekasiwi, A., & Bram, B. (2022). Exploring Euphemisms in Bridgerton: Diamond of the First Water. IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature, 10(1), 240-248. doi:https://doi.org/10.24256/ideas.v10i1.2599
Elindawati, R. (2021). Gerakan #Metoo Sebagai Perlawanan Kekerasan Seksual Yang Dialami Perempuan Di Indonesia. Jurnal Kajian Perempuan, Gender Dan Agama, 15(1), 15. Https://Doi.Org/10.46339/Al-Wardah.Xx.Xxx
Fakultas, K. (N.D.). Alamat Redaksi (Journal Address). Http://Jurnal.Umt.Ac.Id/Index.Php/Nyimak
Maulina Rita (N.D.). Representasi Jurnalis Perempuan Dalam Film Boston Strangler: Analisis Semiotika Roland Barthes. Jurnalistik.
Milesandhuberman1994(1). Qualitativedataanalaysis(1994). Https://Vivauniversity.Wordpress.Com/Wpcontent/Uploads/2013/11/Milesandhuberman1994.Pdf.
Masruddin, Hartina, S., Arifin, M. A., & Langaji, A. (2024). Flipped learning: facilitating student engagement through repeated instruction and direct feedback. Cogent Education, 11(1), 2412500.
Pranowo, Y., Student, G., & Drijarkara, S. (N.D.). TRANSENDENSI DALAM PEMIKIRAN SIMONE DE BEAUVOIR DAN EMMANUEL LEVINAS.
Robsonc_Extract271-7. Real World Research: Research Methods Strand (2011).
Sidabutar, K. (2022). Grice's Types of Maxims in the "Willoughbys" Movie. IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature, 10(1), 326-337. doi: https://doi.org/10.24256/ideas.v10i1.2661
Simone-De-Beauvoir-The-Second-Sex-Jonathan-Cape-1956. (N.D.). Https://Newuniversityinexileconsortium.Org/Wpcontent/Uploads/2021/07/Simone-De-Beauvoir-The-Second-Sex-Jonathan-Cape-1956.Pdf
Sugiyono. (2012). METODE PENELITIAN KUALITATIF DAN R&D. ALFABETA.
Joseph M. Boggs, Denis W. Petrie The Art Of Watching Films (N.D.). Https://Varieurfilmstudies.Weebly.Com/Uploads/2/2/5/7/2257880/The_Art_Of_Watching_Films_-_Chapter_1.Pdf
Untuk, S., Salah, M., & Persyaratan, S. (N.D.). REPRESENTASI FEMINISME DALAM FILM LITTLE WOMEN (Analisis Semiotika Charles S. Pierce) SKRIPSI Diajukan Kepada Universitas Islam Negeri Sunan Ampel.
Wahyuni Khotimah (N.D.). Three Dimensional Aspects of Main Character Catherine Danielle Clark In Delia Owens’s Where the Crawdads Sing. Journal Sastra.
Downloads
Published
Issue
Section
Citation Check
License
Copyright (c) 2025 Thasyalina Amarthalia, Yoga Sudarisman, Bunyamin Faisal Syarifudin
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under an Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See the Effect of Open Access)
