Unlocking Meaning : A Semantic Analysis of Denotation and Connotation in Langton Hughes' Poetry
DOI:
https://doi.org/10.24256/ideas.v13i1.6589Keywords:
Langston Hughes, Poetry, Semantics, Denotative and Connotative Meaning, Harlem RenaissanceAbstract
This article discusses a semantic analysis of the denotative and connotative meanings in three poems by Langston Hughes: "Dreams," "Mother to Son," and "Harlem." The research uses a qualitative descriptive approach with the theoretical framework of meaning by Geoffrey Leech (1981) and the semiotic approach of Daniel Chandler (2007). The analysis results show that each poem not only conveys individual aspirations and challenges but also represents the collective condition of marginalized communities. The connotative meanings of words and metaphors in the poems serve as a form of resistance to social oppression, implying resilience and emotional depth rooted in a history of struggle. Thus, this study demonstrates that literary works are not only a medium for artistic expression but also an instrument that responds to social injustice and inspires collective awareness in the fight for freedom.
References
Azmi, M. N. L., Chelihi, R. K., & Nouri, K. (2018). Art as a Vehicle for Social Change: The Harlem Renaissance. Kne Social Sciences, 3(4), 575. https://doi.org/10.18502/kss.v3i4.1967
Chandler, D. (2007). Semiotics: The Basics, Second Edition.
Creswell, J. W. J. D. C. (2018). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches, Fifth Edition (Fifth). Sage Publications, Inc. 2455.
Dualé, C. (2018). Langston Hughes’s Poetic Vision of the American Dream: A Complex and Creative Encoded Language. Angles, 7, 0–16. https://doi.org/10.4000/angles.920
Ekpo, N. O. M. E. E. (2018). Machine Translated By Google Nathaniel Ojima Minggu Ene Edem Ekpo, translated by Google, 41–53.
Elaref, A. I. A., & Ahmed, S. H. A. (2024). Probing the Complexities of Cultural Identity in Langston Hughes’ Poetry: A Critical Discourse Analysis. Forum For Linguistic Studies, 6(6), 347–360. https://doi.org/10.30564/fls.v6i6.7138
Gibson, M., Dele, B., Ananta, B., Firza, M., & Sholahuddin, T. (2024). Structuralism Of Todorov’s Semiotics In The Movie “Hacksaw Ridge” Directed By Celtic: A Journal Of Culture, 11(2). https://doi.org/10.22219/Celtic.V9i1
Güzel, S. (2023). Semiotic Analysis Of The Denotative And Connotative Meaning: A Study Of The Poem “The Road Not Taken” By Robert Frost. International Social Sciences Studies, 9(114), 8065–8069.
Huggins, N. I. (2007). Harlem Renaissance (Updated Ed.). Oxford is a registered trademark of Oxford University Press. All
Joseph C. Asangaeneng, G. U. E. & I. E. O. (2023). Identities and Aesthetic Representations in Black Diaspora Literature. Journal of Health, Applied Sciences, and Management, 6(3), 74–81.
Leech, G. (1981). Semantics: The Study of Meaning.
Lula Wahyu Anindita & Ubaidillah. (2024). The Analysis Of The Speech “What Islam Really Says About Women” By Alaa Murabit Based On The Perspective Of Linguistics Behaviorism. Celtic: A Journal of Culture, English Language Teaching, Literature, and Linguistics, 11(1), 112–124. https://doi.org/10.22219/Celtic.V11i1.29317
Muda, I. (2019). Educational Institution Performance Measurement Based on Miles and Huberman Models Using a Balanced Scorecard Approach. Calitatea, 20(170), 32-41.
Masruddin, M., Amir, F., Langaji, A., & Rusdiansyah, R. (2023). Conceptualizing linguistic politeness in light of age. International Journal of Society, Culture & Language, 11(3), 41-55.
Masruddin, Hartina, S., Arifin, M. A., & Langaji, A. (2024). Flipped learning: facilitating student engagement through repeated instruction and direct feedback. Cogent Education, 11(1), 2412500.
Nababan, R., Laia, F., & Silaban, G. (2024). Analysis Of Figurative Language In Langston Hughes Selected Poems. Jurnal Littera: Fakultas Sastra Darma Agung, 3(2), 80-89.
Pelata, C. M. M., Widyasari, W., Efendi, Y., & Wuri Syaputri. (2023). Analisa Puisi “Dreams” Oleh Langston Hughes. Jurnal Pembahsi (Pembelajaran Bahasa Dan Sastra Indonesia), 13(2), 217–225. https://doi.org/10.31851/pembahsi.v13i2.13677
Ratna Said, Oktariyani, Rahmi Usman, R. D. (2023). Semantic Analysis Of Poetry “Fear No More The Heat O’ The Sun.” Jurnal Pendidikan Mandala, 8. http://Ejournal.Mandalanursa.Org/Index.Php/Jupe/Index
Riana, N. M., & Ilham, M. (2015). Langston Hughes’ Selected Poems in Riffaterre’s Perspective. Publikasi Budaya, 3(2), 8–13.
Rustandi, P. (2020). Connotative and Denotative Meaning in Poem "Who Am I, Without Exile?" By Mahmoud Darwish. Textura, 1(2), 30–36.
Shikha Sharma & Dr. Neetu Tyagi. (2024). The Reflection of African American History and Culture in African American Literature. Innovative Research Thoughts, 10(3), 216–223. https://doi.org/10.36676/irt.v10.i3.1528
Usman Kizi Khodjiyeva, N., Tursunboy, Z., & Roziqova, K. (N.D.). Exploring Black Identity, Consciousness, and Aspirations Through the Poetry of Langston Hughes. https://cspu.uz/
Zed, M. (2004). Metode Penelitian Kepustakaan/Pengarang. Jakarta: Yayasan Pustaka Obor Indonesia.
Downloads
Published
Issue
Section
Citation Check
License
Copyright (c) 2025 Alfina Damayanti Rudianto, Zulfi Zumala Dwi Andriani

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under an Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See the Effect of Open Access)