Structure, Meaning, and Cultural Values of Syair Mantau in the Kenduri Sko Traditional Ritual in Kerinci
DOI:
https://doi.org/10.24256/ideas.v13i2.7045Keywords:
Mantau, Kenduri Sko, Oral Literature, Structuralism, Cultural Values, Kerinci CommunityAbstract
This study aims to examine the structure, meaning, and cultural values embedded in the oral tradition of Mantau, performed during the Kenduri Sko ritual in Lempur Tengah Village, Kerinci Regency. As a form of oral literature, Mantau consists of rhythmic poetic verses sung during the traditional Tauh dance. This research employs a descriptive qualitative method using a structuralist approach. Data were collected through direct observation, in-depth interviews with 12 informants—including Mantau performers, traditional leaders, and cultural experts—and documentation of three live performances over a three-month period. The analysis draws on theories of structuralism (Nurgiyantoro), meaning (Chaer; Abdullah), and cultural values (Djamaris). Findings reveal that Mantau lyrics possess distinct physical structures, including specific diction, rhyme, figurative language, and rich imagery. Internally, they reflect themes of gratitude, spirituality, social harmony, and moral values. The meanings conveyed span lexical, grammatical, and cultural domains, highlighting the Kerinci community’s worldview. The cultural values embedded in Mantau encompass religious devotion, harmonious coexistence with nature, social cohesion, and self-reflection. These findings underscore Mantau not merely as ritualistic entertainment but as a vital medium for intergenerational transmission of Kerinci identity and values, offering broader implications for oral literature preservation in a modernizing world.
References
Abdullah, I. (2014). Makna budaya dalam kajian semiotik. Yogyakarta: Pustaka Pelajar.
Chaer, A. (2013). Semantik: Pengantar studi tentang makna. Jakarta: Rineka Cipta.
Citraningrum, E. (2014). Kajian rima dalam puisi lama Indonesia. Jurnal Ilmu Sastra, 6(2), 85–92.
Djamaris, E. (2001). Pengantar sastra lisan. Jakarta: Grasindo.
Faruk. (2017). Strukturalisme dalam sastra. Yogyakarta: Pustaka Pelajar.
Furwana, D., Muin, F. R., Zainuddin, A. A., & Mulyani, A. G. (2024). Unlocking the Potential: Exploring the Impact of Online Assessment in English Language Teaching. IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature, 12(1), 653-662.
Hamdani, D. (2018). Apresiasi sastra Indonesia. Bandung: Remaja Rosda Karya.
Ismayanti, D., & Syam, A. T. (2022). The Community Manipulation through Big Brother’ s Tyranny in George Orwell’ s Nineteen Eighty-Four. IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature, 10(2), 1556â-1569.
Mukhlis, M. (2020). Teori dan aplikasi analisis sastra. Padang: CV. Sukabina Press.
Nazurty. (2013). Nilai-nilai budaya dalam Tale Kerinci. Jambi: Unja Press.
Nugraheni, A. (2017). Kajian semantik terhadap makna kultural dalam cerita rakyat Jawa. Jurnal Kajian Bahasa dan Budaya, 5(1), 45–56.
Nurgiyantoro, B. (2010). Teori pengkajian fiksi. Yogyakarta: Gadjah Mada University Press.
Putrayasa, I. B. (2014). Gaya bahasa dalam puisi Bali modern. Denpasar: Pustaka Larasan.
Rustam, A. (2019). Pergeseran nilai dalam sastra lisan di era globalisasi. Jurnal Budaya dan Sastra Nusantara, 7(1), 14–22.
Sudikan, S. (2015). Sastra lisan dan pelestarian budaya lokal. Surabaya: Unesa University Press.
Sugiyartati, R. (2020). Kajian antropolinguistik terhadap syair Mantau. Jurnal Bahasa dan Budaya Daerah, 3(2), 122–130.
Waluyo, H. J. (2013). Apresiasi puisi. Jakarta: Erlangga.
Yanti, E. (2022). Makna dan simbolisme dalam syair tradisional Sumatra. Pekanbaru: Cendekia Nusantara.
Downloads
Published
Issue
Section
Citation Check
License
Copyright (c) 2025 Sherly Leola, Warni, Nazurty

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under an Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See the Effect of Open Access)